DiscographyStudio albums2Compilation albums1EPs9Singles10Mix albums1English producer has released two, one, one, nine and ten. Burial debuted in May 2005 with the release of his debut extended play South London Boroughs on the label.
His followed in May 2006 and was praised by music critics for its unique incorporation of, and styles. Following the releases of the extended plays Distant Lights (2006) and (2007), Burial released his second studio album in November 2007 to critical acclaim. It peaked at number 58 on the and at number 57 on the chart for the Belgian region of Flanders. Untrue later received nominations for the and the, with the album experiencing a 1004% sales increase in the week following the Mercury Prize awards ceremony.Following the release of Untrue, Burial issued several collaborative singles with other artists—' / ' with producer, ' / ' with Four Tet and musician, and ' / ' with group —and performed production work on several songs for British singer 's (2011), as well as Kode9 and The Spaceape's 2008 track 'Konfusion Dub'.
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In March 2011, Burial released the extended play; followed in February 2012. A single compilation of the two extended plays was released in February 2012. Burial has since released several succeeding EPs, including (2012), (2013), (2016) and (2017).
^ Birchmeier, Jason. Retrieved 9 September 2013. 25 January 2010.
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Retrieved 18 August 2013. O'Brien, Jon.
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Retrieved 20 August 2013. (To access, enter the search parameter 'Burial'). Retrieved 24 January 2018. (in Japanese). Retrieved 7 July 2018.
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Archived from on 20 September 2014. Dell vostro 2520 wifi drivers windows 8 free download. Retrieved 9 September 2013. Bass, George (20 February 2012). Retrieved 9 September 2013. 14 December 2012. Retrieved 9 September 2013. 11 December 2013.
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Fat Beats began as a small basement shop located in Manhattan’s Lower East Side. We quickly became an integral hub for artists, both aspiring and established, to convene and collaborate. Our retail stores spread from New York to Los Angeles, Atlanta, Amsterdam, and Tokyo and alongside retail expansion we developed into a wholesale distribution company & record label.Despite market fluctuations, technological innovations and stylistic revolutions, Fat Beats; as a distributor, record label, online storefront, and retail store, continues to thrive. We remain steadfast in our commitment to the timeless vinyl format and the loyal community who keeps it spinning.
Burial is the first great dubstep album, legitimizing a style - a generally dark, emotive, and faceless dub offshoot of 2-step - that had thus far been confined to 12' vinyl and the underground club scene. Even though a couple of the tracks ('Southern Comfort,' 'Broken Home') had been previously released on the South London Boroughs EP (2005), Burial doesn't sound like a compilation of one-off productions to date, as is often the case with music of this kind.
It's a true album, a unified collection of songs similar in style as well as mood yet also distinct enough from one another to remain engaging over the course of 13 tracks in 51 minutes. As if it were a well-selected mix album, Burial flows well from one track to the next; the exception is 'Spaceape,' the only song featuring a vocalist (and unfortunately sequenced third, disrupting the flow just as it begins).
While some tracks stand out ('Distant Lights,' 'Southern Comfort,' 'Gutted,' 'Broken Home'), they're interspersed by low-key tracks such as 'Night Bus' and 'Forgive' that enhance the overall mood and space out the highlights. As the hazy, mostly black cover art of the album (a nighttime aerial photograph of South London) suggests, the mood of Burial is dim, distant, and rather dreary; from a subjective standpoint, one might characterize it as the sound of 3:00 a.m., a time of reflection and perhaps remorse, of being alone after the party's come to an end. There is an emotional aspect at work that is key to this mood, a sullen sense of despair especially evident in the ambient interludes, communicated also in the ghostly vocal samples.
The technical aspect of Burial is remarkable, too. The album's subterranean basslines and skittering rhythms, along with its array of found sounds and production effects, are simple yet inventive, austere yet evocative. Other dubstep producers have crafted a similar style, make no mistake, but Burial is the first to craft it on the scale of a full-length album so effectively. Jason Birchmeier.
Surprise released at the end of November in 2016, Burial's Young Death / Nightmarket carries the distinction of being Hyperdub's 100th catalog entry. Like the elusive artist's previous EPs, the two tracks here are filled with crackling sounds, pitch-shifted voices, and subdued atmospheres.
They play like dream sequences rather than club tracks, and this one is less dance-minded than most Burial releases. 'Young Death' features a shimmering electro pulse for its first four minutes, but its ending is slower and trippier, filled with sinister laughing voices and thunder clouds. 'Nightmarket' is closer to ambient, only barely flirting with a beat at one point. Its chilly melody ebbs and flows throughout the first half, and it changes into something different during the second.
Compared to more dramatic Burial EPs like Kindred and the utterly devastating Rival Dealer (one of the decade's best releases, full stop), this one might seem a bit underwhelming. It may not be as riveting or intense, but it still has the unmistakable Burial sound and it's still unpredictable, so it's still well worth the listener's time. Paul Simpson.
Burial is the moniker of William Bevan, a reclusive South Londoner who has become one of the most acclaimed, influential, and enigmatic electronic musicians of the early 21st century, thanks to his groundbreaking music as well as his reluctance to reveal any information about himself. Inspired by the anonymity of British club music, particularly garage, jungle, and hardcore, his tracks blend fractured breakbeats with mysterious, pitch-shifted voices and loads of vinyl crackle, rainfall, and submerged video game sound effects, creating gloomy, dystopian soundscapes evoking lonely nights spent wandering around an empty, desolate city. While his self-titled 2006 debut (one of the first notable dubstep full-lengths) received wide acclaim from the underground music press, the astonishing 2007 follow-up Untrue proved to be a major artistic breakthrough. Not only was it one of the most widely praised albums of the year, but its influence endured throughout the following decade, with countless producers emulating its vocal manipulations and dramatic, rain-soaked atmospherics. Collaborations with Four Tet, Thom Yorke, and Massive Attack followed, as well as several EPs which ranged from abstract, cinematic suites (2012's Kindred, 2013's Rival Dealer) to more club-friendly singles (2017's 'Rodent'). While Burial continued to refrain from making public appearances or releasing a third album, he collaborated with Kode9 to mix Fabriclive100, the final volume of the long-running mix CD series, in 2018.Burial debuted in March 2005 on the Hyperdub label with the South London Borough EP, which included the tracks 'Southern Comfort' and 'Broken Home.' These two tracks would be among the highlights of the full-length album Burial (2006), whose release was accompanied by a second EP, Distant Lights (2006).
Comprising bleak, evocative dubstep - one track, 'Night Bus,' is entirely beatless, driven only by sampled rainfall and eerie synth melodies - Burial was critically acclaimed, and most notably voted Album of the Year by The Wire; it was also voted among the best albums of the year by Mixmag. Burial's second album, Untrue (2007), was eagerly awaited as a result of all the acclaim; an EP, Ghost Hardware (2007), was released a few months in advance, drumming up further interest. Like its predecessor, Untrue was critically acclaimed, voted among the best albums of the year by XLR8R, for instance, and reviewed even more favorably than its predecessor.In February 2008, British newspaper The Independent made a claim that William Bevan, indeed a native of South London, was the individual behind Burial. Bevan later confirmed the report, continued to record under his alias, and issued several collaborative works with the likes of former schoolmate Kieran Hebden (Four Tet), Thom Yorke, Massive Attack, and Jamie Woon. He issued three additional Hyperdub EPs - Street Halo, Kindred, and Truant - in 2011 and 2012.
A Japanese CD release combined the first two. Bevan's 2013 was quiet until that December, when he released a three-track EP for Hyperdub titled Rival Dealer. A single-sided 12' titled Temple Sleeper surfaced on Keysound in 2015. The following year, Burial collaborated with Zomby on a track called 'Sweetz,' which appeared on Zomby's Ultra album and was also released as a single. Later in the year, Burial's Young Death/Nightmarket arrived on Hyperdub.In April of 2017, Burial's remix of Goldie's jungle classic 'Inner City Life' was released by Metalheadz. The following month, Burial's ambient Subtemple EP appeared on Hyperdub.
He returned to beat-driven material in September with the garage-leaning single 'Rodent,' which was backed with a remix by Hyperdub boss Kode9, as well as 'Pre Dawn,' which appeared on Non Plus. In 2018, Burial and Kode9 mixed Fabriclive100, the conclusion of one of the two mix-CD series produced by London club Fabric. Jason Birchmeier & Paul Simpson.
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